20/1/95
The
Prefuture Era
Nowadays,
all technology is either outdated or a step into the
next generation. Nothing is comfortably contemporary.
"You have a virus."
"Oh God, oh God, oh God, oh no, oh hell."
It was the call everybody dreads to get.
Softly, he tried to reassure me. "It doesn't
have to mean the worst, you know."
Why me? A panic overwhelmed me. "I must
have infected others. I -- I've been around."
"Relax," he said, "it can be
treated. Just don't interface with anyone before consulting
your technician."
This kind of thing never happened when I worked
on a typewriter. Relationships were so simple back
then.
I had one of those cast-iron Olympias. I grew
muscles on my fingertips from the strength it took
to catapult each key all the way up to the page. (Children
cannot possibly comprehend this. To them, dinosaurs
are real, not manual typewriters.)
The worst that could happen was a key on the
way up might entangle a key on the way down. I could
fix that myself, without having to spend 200 shekels
for a technician.
When it was time to upgrade, I sold the Olympia
-- it was only about 10 years ago, but I got NIS 50
for it, which is about what an old computer will go
for nowadays -- and bought myself a gleaming (reconditioned)
electric typewriter.
Electric!
This was progress because it had an on-off
switch.
Now if I made a mistake I could retype
the whole page in maybe a quarter of the time. I worked
faster, produced more, earned more. I had vaulted
into the modern age.
But before I could use up the first ribbon,
I had fallen behind again, so far behind that the
next generation -- the absolute ultimate in state-of-the-art
office machinery, the wizardly Selectric correctible
with the golfball keys -- was already archeological.
Then one day, one lovely cloudless spring day,
birds twittering, trees budding and flowers blooming,
I sat at a computer for the first time.
And -- so help me, this is true -- when I typed
to the end of the first line, I actually had to fetch
someone to explain how I get the cursor to the beginning
of the next line. It was a Jerusalem Post Atex; there
was, I complained, no carriage return.
I took a headlong plunge into the 21st century
and bought a PC, but I had dived into the shallow
end of the future: what I bought just seven years
ago would today be rejected if I tried to donate it
to a kindergarten.
I've fallen so far behind, the six-year-olds
are ahead of me. Which brings up a whole new quandary:
sooner rather than later I'll have to get my kids
on-line. Maybe I'm being a tad hysterical, but they're
still using crayons while some of their colleagues
in gan are already using mouse-pads. My girls are
still learning the ABCs; other four-year-olds are
learning QWERTY.
But I can't get them started on my old clunker
-- which has no color, graphics or Windows --
so I'd have to upgrade my equipment, which even if
I could afford to do, would entail port-networking
to give them their own work-station, which brings
up a whole new problem of how many keyboards, screens
and mouse-pads to get. One for me, one for my wife
and one for the children? Or one for each child? Would
I be depriving them of basic educational tools unless
each has her own?
This is how insane it has become: my children
are still sleeping in the same crib-beds they've had
since they were born, yet my wife and I are debating
which is the more pressing priority, computerizing
the little ones or getting them new beds.
The prevailing wisdom -- about hardware, not
bedware -- is that it's obsolete as soon as you cart
it out of the store. So the longer you wait the less
you fall behind.
The first Industrial Revolution was nothing
like this.
What we have come to, as the computer age completely
takes over our lives, is a dangerous lack of a present
tense. All technology is either outdated or a step
into the next generation. Nothing is comfortably contemporary.
Post-modern is by now neo-quaint; the protoplastic
age has gone the way of the record album.
We have entered the Prefuture Era.
Remember when compact discs first came out?
They replaced the short-lived 8-track tapes as the
de-rigueur technology. The 8-track was an Edsel that
was supposed to make us forget cassettes, which displaced
vinyl. CDs were said to be here to stay, the ultimate
in compact sound-quality perfection that could not
be improved. Well, they're being improved: the
compact disc is compacting to the size of a credit
card.
If you're about to buy a camera, don't. They're
soon to be old-fashioned curiosities. Digital-electronic
cameras don't need film-developing and let you "edit"
a photograph. They're new but not yet improved, which
means that as soon as you buy one, you've fallen behind
again.
I acquired a videocamera barely three years
ago, but it's already a technodinosaur, replaced by
sleeker, better machines that are themselves dead
as dodos because now the CD-videocamera has been invented.
I won't even talk about the pell-mell development
of the car. I've got an 11-year-old Renault that is
so old even its color is extinct. I mean, it may still
get me places, but it's beige, for goodness
sake!
This mad dash to get to the future ahead of
its time is so perverse that science fiction has been
overtaken by virtual-reality. Nothing any sci-fi writer
can come up with is beyond belief anymore. We're so
jaded that I suspect few people would be surprised
one day to read in a newspaper (as of this writing,
they still exist) that, say, the president of Panasonic
has become the proud papa of the world's first baby
born with digital vocal chords. (I hope I haven't
given somebody an idea.)
Things are happening so fast that the CD-videocamera,
which was up-to-the-minute brand-new only three paragraphs
ago, might already have been eclipsed in the time
it took to write these subsequent 175 words.
Times are a-changin' so rapidly that nostalgia
has become a thing of the past. Unlike older folks,
who find comfort in recalling the '60s or '50s or
'30s, today's generation reminisces not by decade
but by month.
We've reached such a state of technological
fundamentalism that for a new generation, life imitates
computers. Take a teenager to a symphonic concert:
he'll marvel that it's just as realistic as the real
thing, a CD recording. (A lady once walked into the
local Scrabble club for the first time. I asked her
if she was an experienced player. "Oh, yes,"
she assured me, "though I've never played against
a person before.")
"LOGIZOMECHANICOPHOBIA"
is a word I discovered recently that, once we learn
how to pronounce it, will be recognized as a common
psychological condition. It means "fear of computers."
I think I've got it, acutely.
I'm absolutely terrified by a new gizmo installed
about five meters from my desk at the Post. We insert
a photo and "edit" it, doctor the images,
change eyewitness truth.
What faith that ever existed that "the
camera never lies" is now irreversibly down the
toilet. Any picture you see in this newspaper today,
or anywhere else at any time in the future, is suspect.
The editing could be harmless -- altering the background,
moving people closer together, or, as we've already
done once, erasing a sweat stain from somebody's armpit
-- or it can be downright dangerous, as one TV station
recently proved, by displaying a "photograph"
of Yitzhak Rabin and Saddam Hussein shaking hands
at the Western Wall.
One day, very soon, I'm sure, a court of law
somewhere will for the first time reject a photograph
as evidence, a precedent that will traumatize our
faith in the credibility of proof.
Journalism, law, history, every pillar of truth
in civilization -- including even the family photo
album -- will have to discredit any image created
since 1994.
This is our brave new world. Makes you feel
a bit logizomechanicophobic, doesn't it?